Movies and TV Watch: Alicia Vikander heats up the screen in NSFW 'Tulip Fever' red band trailer The official red band trailer for the period film has arrived—and it. Valerian: How Luc Besson Made a $1. Million Indie That Can’t Fail. It’s hard to get more ambitious than Luc Besson’s 3. D epic “Valerian and the City of a Thousand Planets.” The action- sci- fi film that hits theaters on July 2. STX Entertainment’s answer to franchises like “Guardians of the Galaxy” and is packed with astonishing visuals that combine the dystopian desert sets of “Mad Max” with the underwater environments of “Avatar” and the galactic backdrops of “Star Wars.”READ MORE: ‘Valerian and the City of a Thousand Planets’ Trailer: Luc Besson Is Back With The Sci- Fi Epic He Was Born to Make — Watch“Valerian” follows two special operatives (Dane De. Time-traveling agent Valerian is sent to investigate a galactic empire, along with his partner Laureline. · 'Valerian and the City of a Thousand Planets' looks great and remains a jolly good time even as it narratively stumbles. It’s hard to get more ambitious than Luc Besson’s 3D epic “Valerian and the City of a Thousand Planets.” The action-sci-fi film that hits theaters on July 21. · The reviews for Valerian and the City of a Thousand Planets have finally landed and they’re about as radically mixed as it can get. The sci-fi film from. Free movies online, you can watch latest full HD movies by streaming or downloading to your device without ads. JOIN NOW for free! A dark force threatens Alpha, a vast metropolis and home to species from a thousand planets. Special operatives Valerian and Laureline must race to identify the. Haan and Cara Delevingne) in the vast space metropolis of Alpha, home to a species from a thousand planets, where a dark force threatens the future of the universe. At this year’s Cinema. Con, the National Association of Theatre Owners’ annual show where studios present show reels and give first looks at their new movies, STX chairman Adam Fogelson touted several of his fledgling studio’s upcoming titles, but left little doubt that “Valerian” was the film that would help the company “compete and win like a major.”The competition at Cinema. Con was fierce, with major studios teasing titles like “Spiderman: Homecoming,” “Transformers: The Last Knight” and “Star Wars: The Last Jedi,” but the sizzle reel for “Valerian” had something that no other studio presentation did: a new intellectual property, and one as visually stunning as Besson’s “The Fifth Element.” Reviews are still embargoed, but we can confirm that the movie delivers on the high expectations set by the sizzle reel shown at Cinema. Con.“Valerian” took Besson seven years to conceive, $1. Wired reports in a new cover story. Perhaps the most remarkable data point, however, is the number of major Hollywood studios involved with the movie: zero. It’s not that Besson turned away studio support. Hollywood today makes big bets only on established intellectual properties with built- in audiences and “Valerian” is based on a French comics series entitled “Valérian and Laureline” that most U. S. audiences have never encountered. To get the movie made, Besson needed his own film studio, a luxury that almost no other filmmaker on the planet gets to enjoy, Tyler Perry aside. After box office hits like “The Fifth Element” and a string of financially successful film and TV projects he wrote and produced, Besson started Europa. Corp, which distributes his movies in France without the help of an outside distributor. The company also has a distribution deal with STX.“Valerian and the City of a Thousand Planets”STX Entertainment. Besson also had to use every trick in the independent film financing book, including pre- selling rights to foreign distributors. Fortunately, the filmmaker has strong relationships with distributors who regard him as a visionary, an importantly, one who always delivers his films on time and on budget. According to Wired, Besson and his producing partner (and wife) Virginie Besson- Silla made a presentation to foreign distributors at Cannes that consisted of the finished screenplay and some 8. Valerian” characters and universe. The pitch raised nearly $8. Besson eventually sold the rights to the film in more than 1. While pitching financiers at Cannes is how countless independent projects get funded every year, you won’t find anyone else offering equity stakes in $1. Marche du Film. Because “Valerian” was financed like an indie, Besson doesn’t have to worry about losing hundreds of millions of dollars for an individual studio and risking a major career setback. He also didn’t have to deal with a stack of script notes from studio execs, a certainty for any filmmaker shooting a Hollywood movie for upwards of $2. Dane De. Haan in “Valerian.”STX/Europa Corp“He pieced together a financing structure that would allow him to make the movie without — I’ll choose my words carefully — the weight of major studio executives,” Fogelson told Wired. READ MORE: Luc Besson: ‘Valerian and the City of a Thousand Planets’ Is ‘Vengeance’ Against Low- Tech ‘The Fifth Element’Though “Valerian” marks the newest space opera to hit the big screen, Besson noted at Cinema. Con that the original “Valerian” comics, published in 1. Star Wars,” “Star Trek,” and James Cameron’s “Avatar.” He added that he originally wanted to make “Valerian” two decades ago, when he made “The Fifth Element,” but technology at that time wouldn’t have allowed him to realize his vision.“It was not possible, because there are only two characters and 1,0. Besson said. “James Cameron just made the technology possible in ‘Avatar,’ and thanks to him, imagination is the limit.”Stay on top of the latest breaking film and TV news! 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Fidaa full movie online watchfidaa moviefidaa Telugu full movie watch onlinefidaa movie rulz. Flatliners is a 1990 American science fiction psychological horror film directed by Joel Schumacher, produced by Michael Douglas and Rick Bieber, and written by Peter. Sony has released the first trailer for its Flatliners remake, starring Rogue One's Diego Luna, Ellen Page and Kiefer Sutherland. · Flatliners (2017) summary of box office results, charts and release information and related links. Flatliners. 205K likes. In Flatliners, five medical students, obsessed by the mystery of what lies beyond the confines of life, embark on a daring and. Flatliners - Wikipedia. Flatliners is a 1. American science fictionpsychological horror film directed by Joel Schumacher, produced by Michael Douglas and Rick Bieber, and written by Peter Filardi. It stars Kiefer Sutherland, Julia Roberts, William Baldwin, Oliver Platt, and Kevin Bacon. The film is about five medical students who attempt to find out what lies beyond death by conducting clandestine experiments that produce near- death experiences. The film was shot on the campus of Loyola University (Chicago) between October 1. January 1. 99. 0,[3] and was nominated for an Academy Award for Best Sound Editing in 1. Charles L. Campbell and Richard C. Franklin). The film was theatrically released on August 1. Flatliners RemakeColumbia Pictures. A sequel of the same name, directed by Danish filmmaker Niels Arden Oplev, is scheduled to be released in September 2. Sutherland reprises his role as Nelson Wright in the film. Nelson Wright, a medical student, looks toward the city skyline and says to himself "Today is a good day to die". Nelson convinces four of his medical school classmates—Joe Hurley, David Labraccio, Randy Steckle, and Rachel Manus—to help him discover what lies beyond death. In Flatliners, five medical students, obsessed by the mystery of what lies beyond the confines of life, embark on a daring and dangerous experiment: by stopping. New album Inviting Light available April 7, 2017 on Dine Alone Records and Rise Records. Flatliners Blu-ray (1990): Starring Kiefer Sutherland, Julia Roberts and Kevin Bacon. An ambitious, charismatic medical student persuades his classmates to take part. After three seasons on Netflix, Bloodline ends with near complete ambiguity, leaving the audience to decide things for themselves. Nelson flatlines for one minute before his classmates resuscitate him. While "dead", he experiences a sort of afterlife. He sees a vision of a boy he bullied as a child, Billy Mahoney. He merely tells his friends that he cannot describe what he saw, but something is there. The others follow Nelson's daring feat. Joe flatlines next, and he experiences an erotic afterlife sequence. He agrees with Nelson's claim that something indeed exists. Check out New Movie Posters: 'Dunkirk,' 'Flatliners,' 'Happy Death Day' and more and other movie photo galleries and celebrity photo galleries at Movies.com. I love Mill Creek, I really do. I’ve written positively over the years about a number of their releases. They are the leader when it comes to bargain bin releases. David is third to flatline, and he sees a vision of a black girl, Winnie Hicks, that he bullied in grade school. The three men start to experience hallucinations related to their afterlife visions. Nelson gets physically beat up by Billy Mahoney twice. Joe, engaged to be married, is haunted by his home videos of his sexual dalliances with other women. David finds Winnie Hicks on a train, and she verbally taunts him as he taunted her. Rachel decides to flatline next on Halloween. David tries to stop the others from giving Rachel their same fate, but she is already "dead" when he arrives. Rachel nearly dies after the power goes out, and the men are unable to shock her with the defibrillator paddles. Luckily, she survives, but she, too, is haunted by the memory of her father committing suicide when she was young. The three men finally reveal their harrowing experiences to one another, and David decides to put his visions to a stop. He goes to visit Winnie Hicks, now grown up, and he apologizes to her. Winnie thanks him, and she accepts his apology. David immediately feels a weight lifted off his shoulders. Then, David finds Nelson, who accompanied David to visit Winnie, beating himself with a climbing axe. For Nelson, Billy Mahoney is attempting to beat him to death for a third time. David stops him in time, and they return to town. Meanwhile, Joe's fiancée, Anne, comes to his apartment, and she breaks up with him after she discovers his videos. Joe's visions cease after Anne leaves him. Rachel seeks comfort in the arms of David, and the two make love. While Rachel and David are together, Nelson takes Steckle and Joe to the graveyard. He reveals that he killed Billy Mahoney as a kid when he hit him with a rock, and he fell out of a tree. Nelson storms off, leaving Joe and Steckle stranded. David leaves Rachel alone in order to rescue Joe and Steckle at the cemetery. While alone, Rachel goes to the bathroom, and she finds her father. He apologizes to his daughter, and her guilt over his death is lifted when she discovers that he was addicted to heroin. Then, Nelson calls Rachel, and he tells her that he needs to flatline again in order to make amends. He apologizes for involving her and their friends in his stupid plan. The three men race to Nelson, who has been dead for nine minutes. Rachel soon finds them, and the four friends work feverishly to save Nelson. Meanwhile, a young Nelson is being stoned by Billy Mahoney from the tree. Nelson dies in the afterlife from the fall, and his friends cannot revive him. When they are about to give up, David gives Nelson one last shock. They bring him back, and Nelson tells them, "Today wasn't a good day to die."Release[edit]Columbia Pictures released Flatliners theatrically on August 1. The film debuted at No. It grossed $6. 1. United States.[6]Reception[edit]The review aggregator Rotten Tomatoes reports that 4. In her review for The New York Times, Caryn James wrote, "when taken on its own stylish terms, Flatliners is greatly entertaining. Viewers are likely to go along with this film instantly or else ridicule it to death. Its atmospheric approach doesn't admit much middle ground."[8] Critic Roger Ebert praised the film as "an original, intelligent thriller, well- directed by Joel Schumacher" and called the cast "talented young actors, [who] inhabit the shadows with the right mixture of intensity, fear and cockiness". But Ebert criticized Flatliners for "plot manipulation that is unworthy of the brilliance of its theme. I only wish it had been restructured so we didn't need to go through the same crisis so many times."[9] Similarly, Peter Travers of Rolling Stone magazine praised the film's young stars, but complained that "by dodging the questions it raises about life after death, Flatliners ends up tripping on timidity. It's a movie about daring that dares nothing."[1. Entertainment Weekly gave the film a "D" rating and Owen Gleiberman wrote, "What isn't in evidence is the sort of overheated lunacy that made the William Hurt speed- freak trip movie Altered States (1. Flatliners is camp, but of a very low order. Schumacher is too intent on pandering to the youth market to take the mad risks and plunges that make for a scintillating bad movie."[1. In contrast, The Washington Post's Rita Kempley loved the film, calling it: "a heart- stopping, breathtakingly sumptuous haunted house of a movie".[1. Over time, the film has become a cult film for fans of abstract and thought provoking films.[1. Soundtrack[edit]On October 5, 2. Ellen Page and Diego Luna was announced,[1. Nina Dobrev, James Norton and Kiersey Clemons. Kiefer Sutherland will return for the remake. Sutherland later disclosed that he was reprising his role from the original film, revealing that the new film would actually be a sequel rather than a remake.[1. Directed by Danish filmmaker Niels Arden Oplev, it is scheduled to be released on September 2. References[edit]^ ab"Flatliners". AFI Feature Film Catalog. Retrieved July 4, 2. Flatliners (1. 99. The Numbers. Retrieved September 6, 2. Flatliners - Sony Movie Channel". Broeske, Pat H. (September 1. Postcards Takes No. Box Office Movies: Mother- daughter comedy sales hit $8. Paramount's `Ghost' is in second place on $5. The Los Angeles Times. Retrieved 2. 01. 1- 0. Broeske, Pat H. (August 1. Flatliners Leads Lively Box Office : Movies: Young audience helps medical drama and Gibson's 'Air America' shoot down Nicholson's 'Two Jakes.'". The Los Angeles Times. Retrieved 2. 01. 0- 1. Flatliners". Box Office Mojo. Retrieved September 6, 2. Flatliners, Rotten Tomatoes. Accessed March 1. James, Caryn. "Young Doctors Explore the Boundary Between Life and Death", New York Times (August 1. Accessed May 1. 8, 2. Ebert, Roger. Flatliners review, Chicago Sun- Times (Aug. Accessed Mar. 2. 6, 2. Travers, Peter. Flatliners review, Rolling Stone #5. Aug. 9, 1. 99. 0). Accessed Mar. 2. 6, 2. Gleiberman, Owen. Flatliners review. Entertainment Weekly (Aug. Accessed January 2. Kempley, Rita. Flatliners review. Washington Post (Aug. Accessed Mar. 2. 6, 2. The Weird Reason The New Flatliners Isn't Really A Remake". August 2. 01. 6. ^"Ellen Page in Talks to Star in ‘Flatliners’ Remake (EXCLUSIVE)". Variety. 2. 01. 5- 1. Retrieved 2. 01. 6- 0. Diego Luna in Talks to Join Ellen Page in ‘Flatliners’ Remake". Variety. 2. 01. 6- 0. Retrieved 2. 01. 6- 0. New 'Flatliners' is Actually a Sequel, Kiefer Sutherland Reveals". July 2. 01. 6. ^"Flatliners". Coming. Soon. net. Retrieved December 2. External links[edit]. EMT Madrid. Empresa Municipal de Transportes de Madrid, S. Revista Semana – Últimas noticias, artículos de opinión, crónicas, especiales multimedia, informes interactivos y cobertura informativa en la edición Online. El Problema y sus Generalidades. Situación Actual del Problema. Fuentes Básicas de Información. Limitaciones y Delimitaciones. Antecedentes. Procedimiento. Érase que se era un pobrecito pescador que vivía en una choza miserable acompañado de su mujer y tres hijos, y sin más bienes de fortuna que una red remendada por. Amplio servicio de Catering, equipo de profesionales de Cocina y Sala a su disposición para llevar a cabo cualquier tipo de evento. El mejor producto, el mejor detalle. Situación. El Ayuntamiento de Allariz se ubica en la mitad occidental de la provincia de Orense, ocupando una extensión de 85,96 km². Su villa se compone de un. Había un hombre en la isla de Hawaii al que llamaré Keawe; porque la verdad es que aún vive y. El Castillo De Cristal BarbieAtención al Cliente 914 06 88 10 | [email protected] Toggle navigation. Inicio; EMT Bus. Mi autobús; Mi línea; Mi itinerario; Navega por Madrid. * Monthly AV Idol rankings are based on realistic DVD and online sales/rental statistics in Japan] AUGUST 2017 DOWNLOAD BANK VIDEOS :: This August, you will see alot. Read all the hottest movie news. Get all the latest updates on your favorite movies - from new releases to timeless classics, get the scoop on Moviefone. The latest news articles from Billboard Magazine, including reviews, business, pop, hip-hop, rock, dance, country and more. Online since 1998, The World's Finest offers exclusive content including interviews, message boards, reviews, image galleries, videos, online original comics.
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Tupac Tries to Lead From the Inside in New All Eyez on Me Trailer. · LOS ANGELES — With a new vehicular heroine, Cruz Ramirez, taking center stage in “Cars 3,” and Tupac Shakur’s life dramatized in “All Eyez on Me. All Eyez on Me' Movie Review. After his sentencing for a sexual- assault charge in 1. Tupac Shakur, according to courtroom accounts, turned to directly address the judge that had been overseeing his case for the past three months. You never paid attention to me. You never looked me in the eyes,” he said; the judge had drawn his conclusions about the rapper from his lyrics (and Dan Quayle’s opinion of them), and little from being in the same room as the man himself. This moment is one of the best scenes in the new Shakur biopic All Eyez on Me, and yet, it carries some unfortunate irony. All Eyez on Me is rarely more than a faithful adaptation of the rapper’s Wikipedia entry, so fixated on name- checking every footnote of Shakur’s public life that there is no space to explore the experience of the man himself. The troubled production, which went through a series of directors including Antoine Fuqua and John Singleton, is directed by Benny Boom, a music- video director with an extensive résumé but, it appears, less assurance when it comes to longer narratives and character work. The first half of the film is framed by that bane of all biopics, the interview with a journalist (Hill Harper). We meet Tupac’s beloved mother, Afeni Shakur (a warm and ferocious Danai Gurira), and see his high- school days doing Shakespeare with Jada Pinkett (Kat Graham). But Boom never lingers on a single beat long enough to establish a rhythm; just as things feel as though they’re warming up, we cut back to the present. The film doesn’t try to take us on a journey, taking for granted that we are inherently interested in anything that happens to Shakur (played by Demetrius Shipp Jr.) onscreen. Which isn’t an ungrounded assumption: The cult of Tupac still runs strong, strong enough that Boom can lay some gospel music over the image of his Christlike body after his fatal 1. Las Vegas and it only feels a little hyperbolic. The director doesn’t necessarily have a responsibility to sell non- acolytes on Shakur’s legacy, but the film doesn’t do much to lift up the already initiated, either. The film doesn’t seem to know how to make Tupac’s songs, already rich in narrative, cinematic. It’s filled wall- to- wall with a slew of greatest hits — “Brenda’s Got a Baby,”“So Many Tears,”“I Get Around” — but they don’t do much other than mark time. This is the kind of film where “California Love” plays over some stock footage of palm trees, after which we pan up to a Billboard chart, and Suge Knight (Dominic L. Santana) declares “All Eyez On Me got the world shook!”Accordingly, most of the actors turn in TV- movie performances. Those playing more recognizable roles — including Jarrett Ellis as Snoop Dogg and Harold House Moore as Dr. Dre — are never shown in close- up, and their faces always seem to be obscured by something. But Gurira and Harper are grounding presences, and Gurira especially brings such incisive power to the role of Afeni, a Black Panther leader turned drug addict turned celebrity mom, that she sometimes threatens to overshadow the leading man. As the film reaches the conclusion you know is coming, it turns into a hypermeticulous, JFK- like play- by- play that is more educational than dread inducing. It diplomatically refuses to come to any conclusions about Shakur’s killer, and ends within minutes after the shots are fired, having reached the last item on its to- do list. And yet, my mind was still in that courtroom scene — a glimpse of the kind of film this subject deserved, highlighting Shakur’s capacity for heartbreaking eloquence and honesty, made only more complicated by the sordid business he kept winding up in all the way up to his death. At the very least, Tupac deserved a storyteller as good as himself. It’s a shame he didn’t get one. Related. The Tupac Biopic Dodged Lawsuits, Feuds, and a Wavering Estate. Adeus aos nossos queridos Iolos eles deixaram saudades. Adieu à notre cher Idoles Ils nous manquer. O cantor, compositor e músico carioca Luiz Carlos dos Santos, o. Kong A Ilha da Caveira Bluray 720p 1080p Dublado. Um grupo de desbravadores acompanhado de um ex-militar viaja para a mítica Ilha da Caveira. Farewell My Concubine (film) - Wikipedia. Farewell My Concubine is a 1. Chinese drama film directed by Chen Kaige. It is one of the central works of the Fifth Generation movement that brought Chinese film directors to world attention. Características do Produto Impressões muito mais economicas; Suas impressões otimizadas com o botão da Samsung Eco. Economize toner, papel e energia, não há. · The Pilot is a speech-translating earpiece that allows people speaking two different languages to have seamless conversations.Goodbye: Adeus: Adayush – lit. ‘To God’. Note that you can use bom dia, boa tarde, and boa noite to say goodbye as well. ‘Seeya’ Tchau/Chau. Similar to other Fifth Generation films like To Live and The Blue Kite, Farewell My Concubine explores the effect of China's political turmoil during the mid- 2. In this case, the affected are two male stars in a Peking opera troupe and the woman who come between them. The film is an adaptation of the novel by Lilian Lee, who is also one of the film's screenplay writers. Farewell My Concubine stars Leslie Cheung, Zhang Fengyi and Gong Li. It won the Palme d'Or at the 1. Cannes Film Festival and went on to win other honours. As the film opens, a street crowd watches a troupe of boys perform Peking opera, supervised by their aging director, Master Guan. When Laizi attempts to run away, Shitou placates the crowd by breaking a brick on his head; the crowd cheers, but Shitou is later punished for the stunt. An onlooking mother brings her son to the troupe to be trained, using a cleaver to amputate her child's objectionable superfluous finger, and marking the contract with her thumb print in the blood. Shitou welcomes the newcomer as "Douzi" (bean), and the two boys become friends. A few years pass. Laizi and Douzi run away, but witness a performance by an opera master that inspires them to return to the troupe. They find Shitou being beaten for allowing their escape, and Douzi accepts his punishment as Master Guan beats him mercilessly. Shitou tries to intervene, when an assistant informs them that Laizi has hanged himself. Douzi attaches himself to Shitou and is trained to play dan (female) roles. Shitou learns the jing, a painted- face male lead. Douzi practises the monologue "Dreaming of the World Outside the Nunnery" but mistakes the line "I am by nature a girl, not a boy" and instead says "I am by nature a boy..". He repeats this mistake, doing so in front of an agent who might fund the troupe. Shitou viciously jams Master Guan's brass tobacco pipe in Douzi's mouth as punishment,[4] causing his mouth to bleed. Douzi looks dazed, but whispers, "I am by nature a girl.. The troupe cheer, having secured the agent.[5]The eunuch Zhang appreciates their performance and summons Shitou and Douzi for an audience. Shitou admires a beautiful sword in Zhang's collection, stating that if he were emperor, Douzi would be his queen. Douzi responds that one day he hopes to give Shitou a sword like that. Douzi is to meet Zhang alone, and catches him in a lascivious embrace with a young girl. Douzi is afraid as the man eyes him up and down, and seeks to be with Shitou, but Zhang catches him and pushes him to the ground. Hours later he emerges, and Shitou cannot get him to say a word. It is clear that Douzi has been sexually assaulted. On their way home, Douzi spies an abandoned baby, and despite Master Guan's urging that "we each have our own fate (yuanfen)" Douzi rescues the baby and eventually Master Guan trains him. Douzi and Shitou become Peking opera stars under the stage names Cheng Dieyi and Duan Xiaolou. The adult Dieyi is in love with Xiaolou, but the sexual aspects of his affection are not returned. When they become a hit in Beijing, a patron, Yuan Shiqing, slowly courts Dieyi. Xiaolou takes a liking to Juxian, a headstrong courtesan at the upscale House of Blossoms. Xiaolou intervenes when a mob of drunk men harass Juxian and says that they are announcing their engagement. Juxian later buys her freedom and, deceiving him into thinking she was thrown out, pressures Xiaolou to keep his word. When Xiaolou announces their engagement, Dieyi and Xiaolou have a falling out. Dieyi calls her "Pan Jinlian" (a "dragon lady" from the novel Golden Lotus). Dieyi takes up with Master Yuan, who gives him Zhang's sword. An aged Master Guan shames them into re- forming the troupe. The complex relationship between these three characters is then tested in the succession of political upheavals that encompass China from the onset of the Second Sino- Japanese War. The film also follows the fates of Na Kun, who turns his theater troupe over to the new government after 1. Xiao Si" (little fourth brother), who is trained in dan roles. Xiao Si and Douzi have an argument about training and punishment at the end of which Xiao Si threatens revenge. The role of the Concubine is usurped by Xiao Si with Xiaolou's complicity. Betrayed, Dieyi leaves and becomes addicted to opium. Later, Xiaolou and Juxian help him to recover and the troupe surrounds him to congratulate his return to health. On the eve of the Cultural Revolution, Shitou and Juxian are seen burning now- contraband literature and clothing. After a few drinks, they rekindle their relationship. The scene shifts to Shitou being questioned by the Red Guards on a few unpatriotic words he said years ago and overheard by their manager. Xiao Si is seen in the background, seemingly in a position of power. The entire opera troupe is taken out in public for a humiliating struggle session by the Red Guards. Under duress, Shitou confesses that Douzi performed for the occupying Japanese and may have had a relationship with Yuan Shiqing. Enraged, Douzi tells the mob that Juxian was a prostitute. Shitou is forced to admit that he married a prostitute but swears that he doesn't love her and will never see her again. Juxian is crushed to hear his words and commits suicide. Xiao Si is seen in a gym practising Concubine Yu's role, happy over having usurped Douzi's position, but the group of Red Guards catch him in the act and his fate is unclear. The film then jumps to Douzi and Shitou's reunion in 1. They are practising Farewell My Concubine, and their relationship seems to have mended since the tribunal and suicide of Shitou's wife. They exchange a smile and Shitou begins with the line that gave Douzi trouble forty years ago. Douzi makes the same error of finishing the line with "I am not a girl". Shitou corrects him and they continue practising. Douzi then commits suicide by sword. Leslie Cheung as Cheng Dieyi (程蝶衣) / Xiaodouzi (小豆子). Yin Zhi as Cheng Dieyi (teenager)Ma Mingwei as Cheng Dieyi (child)Zhang Fengyi as Duan Xiaolou (段小樓) / Xiaoshitou (小石頭). Zhao Hailong as Duan Xiaolou (teenager)Fei Yang as Duan Xiaolou (child)Gong Li as Juxian (菊仙 Júxiān)Ge You as Yuan Shiqing (袁世卿 Yuán Shìqīng)Lü Qi as Master Guan (Simplified: 关师傅, Traditional: 關師傅, Pinyin: Guān- shīfu)Ying Da as Na Kun (那 坤 Nā Kūn)Yidi as Eunuch Zhang (Simplified: 张公公, Traditional: 張公公, Pinyin: Zhāng- gōnggong)Zhi Yitong as Saburo Aoki (青木 三郎, Chinese Pinyin: Qīngmù Sānláng, Japanese: Aoki Saburō)Lei Han as Xiaosi. Li Chun as Xiaosi (teenager)Li Dan as Laizi (Simplified: 小癞子, Traditional: 小癩子, Pinyin: Xiǎo Làizǐ). Yang Yongchao as Laizi (child)Wu Dai- wai as Red Guard (Simplified: 红卫兵, Traditional: 紅衛兵, Pinyin: Hóngwèibīng)Production[edit]Chen Kaige was first given a copy of Lilian Lee's novel in 1. Chen found the story of the novel to be "compelling", he found the emotion subtext of the novel "a bit thin". After meeting with Lee, they recruited Chinese writer Lu Wei for the screenplay, and in 1. Hong Kong actor Leslie Cheung was used in the film to attract audiences because melodramas are not a popular genre. Cheung's voice is dubbed by Beijing actor Yang Lixin.) Due to Gong Li's international stardom, she was cast as one of the main characters in the film.[8]Release[edit]Release in China[edit]The film premiered in Shanghai in July 1. August. The film was objected to for its portrayal of homosexuality, suicide, and violence perpetrated under Mao Zedong's Communist government during the Cultural Revolution. Because the film won the Palme d'Or at the 1. Cannes Film Festival, the ban was met with international outcry.[9] Feeling there was "no choice" and fearing it hurt China's bid for the 2. Summer Olympics, officials allowed the film to resume public showings in September. This release featured a censored version; scenes dealing with the Cultural Revolution and homosexuality were cut, and the final scene was revised to "soften the blow of the suicide".[1. Box office and reception[edit]The film was released to three theaters on 1. October 1. 99. 3, and grossed $6. Its final grossing in the US market is $5,2. In 2. 00. 5, some 2. Hong Kong film- enthusiasts voted it their favorite Chinese- language film of the century (the second was Wong Kar- wai's Days of Being Wild).[1. Miramax edited version[edit]At the 1. Cannes Film Festival, the film was awarded the highest prize, the Palme d'Or.[1. Miramax Films mogul Harvey Weinstein purchased the distribution rights and removed fourteen minutes, resulting in a 1. This is the version seen in U. S. theaters (and also in the U. K.). According to Peter Biskind's book, Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film, Louis Malle, who was president of the Cannes jury that year, said: "The film we admired so much in Cannes is not the film seen in this country [the U. S.], which is twenty minutes shorter – but seems longer because it doesn't make any sense. It was better before those guys made cuts."The uncut 1. Miramax on DVD. Reception[edit]Critical reception[edit]Roger Ebert awarded the film four stars, praising the plot as "almost unbelievably ambitious" and executed with "freedom and energy".[1. The New York Times critic Vincent Canby hailed it for "action, history, exotic color", positively reviewing the acting of Gong Li, Leslie Cheung and Zhang Fengyi.[4] In New York, David Denby criticized the "spectacle" but felt it would be worthy of excelling in international cinema, portraying a triumph of love and culture despite dark moments.[1. Hal Hinson, writing for The Washington Post, highlighted "its swooning infatuation with the theater- with its colors, its vitality and even its cruel rigors".[1. Desson Howe was less positive, writing the first half had impact but gives way to "novel- like meandering", with less point.[1. Oglądaj filmy i seriale w najwyższej jakości całkowicie za darmo - to jest i zawsze będzie darmowe! 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